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充滿變動的時代情境，藝術能做什麼？「藝術家的作品，就像一面鏡子。」專訪傅饒 During this uncanny situation, what can art do? “Works of artists, are just like a mirror.” – Interview of artist Rao FU.

By: ART PRESS Editorial September 15, 2020September 15, 2020

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藝術家，在時代的危機時刻時的存在意義又是什麼？

做好策展這件事，到底有多難(I)？「台灣當代ㄧ年展」策展培力顧問許峰瑞分享關於策展的 5件事 To curating an exhibition, how many of these challenges are you facing? 5 issue from Hsu Fong-Ray, the consultant of Taiwan Annual.

By: ART PRESS Editorial September 13, 2020September 16, 2020

magazine 雜誌, PEOPLE 人物ARTPRESS Highlight, artpressh, 策展人, 許峰瑞, Taiwan Annual, 台灣當代ㄧ年展Leave a Comment

「在浪潮中保持清晰的洞見，是每個時代裡的藝術展覽都該堅持著的價值。」許峰瑞說。

藝術還能尖銳批判嗎？「多半只能點到為止」專訪《穿孔城市》策展人黃海鳴的3則實話實說 Can art really criticize society? "Now might be a little." Three truth by Huang Hai-Ming, the curator of Perforated City.

藝術還能尖銳批判嗎？「多半只能點到為止」專訪《穿孔城市》策展人黃海鳴的4則實話實說 Can art really criticize society? “Now might be a little.” Three truth by Huang Hai-Ming, the curator of Perforated City.

By: ART PRESS Editorial August 5, 2020August 8, 2020

magazine 雜誌, On View 現正展出, PEOPLE 人物穿孔城市, 黃海鳴, MOCATaipei, 台北當代藝術館Leave a Comment

在現實生活中，藝術人的真實評論與批判檢討，真的能為人所接受嗎？

為什麼有些藝術品無法瞬間「看懂」? 意義究竟是？來自 3位頂尖收藏家分享對 Alicja Kwade 作品的思想 Non-traditional artworks are difficult to understand? 3 influencing art collectors in Asia sharing their idea about Alicja Kwade’s work.

By: ART PRESS Editorial July 2, 2020July 3, 2020

magazine 雜誌, PEOPLE 人物Alicja Kwade, Winsing Art Place, 文心藝所Leave a Comment

若收藏象徵著深度的理解，那麼收藏家將是最適合回答這個問題的人們。

portrait_Boris Vervoordt_ photo Sebastian Schutyser

藝術這一行，何謂價值？畫廊人們說 (二)：維伍德畫廊總監 Boris Vervoordt「是個容易跟貨幣價值搞混的事情」What is so called Value?: Boris Vervoordt, director Axel Vervoordt Gallery: “We’re always looking for value of depth, meaning.”

By: ART PRESS Editorial January 22, 2020February 5, 2020

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「對於畫廊從業人員來說，所謂的『價值』，是個時常容易跟貨幣價值搞混的事情。」

Installation view of UBS-commissioned work by Huang Hai Hsin presented at the UBS VIP Lounge,Taipei Dangdai 2020.

「人跟快樂之間的關係，就是追逐的關係吧？」專訪黃海欣，台北當代2020瑞銀典藏廳21件作品 What is legacy and happiness? Artist Huang Hai Hsin’s work presented at the UBS VIP Lounge during Taipei Dangdai 2020.

By: ART PRESS Editorial January 17, 2020

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「我覺得真正的快樂是能不需要什麼特殊的外在理由，能夠內心平靜、對一切充滿感謝的狀態。平安、健康、生活沒有恐懼是最快樂的事。」

豪華朗機工 LuxuryLogico，日光域 Solar, Courtesy of Eslite Gallery

「我覺得在藝術家身上，聰明跟傻是並存的。」專訪豪華朗機工 “Artist is a special kind of people with smart and foolish at the same time.” Interveiw with LuxuryLogico

By: ART PRESS Editorial January 14, 2020January 15, 2020

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「我們如果開始就在談商業市場這件事的話，我們可能走不到現在這樣。」成員林昆穎說。

Co-Director Robin Peckham, Taipei Dangdai. Courtesy of Taipei Dangdai. Photography by Sean Wang

「這些不只是一件件畫的買賣，而是一段段重要且真實的關係。」專訪台北當代聯合總監岳鴻飛 Robin Peckham “It’s not just a collectors-buy situation” Interview with Robin Peckham, Co-Director of Taipei Dangdai

By: ART PRESS Editorial January 13, 2020January 13, 2020

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「我認為這麼做，有一天人們就會又再度回到藝廊裡、擁有更多與其他人的實體互動，真實且踏實地持續相互了解彼此。」

藝術這一行，何謂價值？畫廊人們說 (ㄧ)：誠品畫廊總監趙琍「我還是相信純粹的東西」What is so called Value? Chao Li, director of Eslite Gallery: “I still believe in pure things.”

By: ART PRESS Editorial January 12, 2020January 13, 2020

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「時代和環境它確實影響了市場，但他不會影響藝術的本質。」誠品畫廊執行總監趙琍(Chao Li)說。

為什麼也選擇當代藝術？「因為，我找不到比它更包容性的東西」：專訪瑞銀集團台灣區總經理陳允懋 Why UBS choose Contemporary Art? “This is the most comprehensive thing I could find.” Interview with Dennis Chen

By: ART PRESS Editorial January 9, 2020January 10, 2020

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「而你會發現藝術裡面有些的東西，它和許多其他領域都相關。」瑞銀集團台灣區總經理陳允懋(Dennis Chen)先生說。

Pat Steir, 2017. Photo: Jean-François Jaussaud

當你有所思想時，抽象畫如何能表達？（一）專訪 Pat Steir. How Abstract Art Represent human’s mind? (I) Interview with Pat Steir

By: ART PRESS Editorial January 8, 2020

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「那不只是藝術了，那是我們之間的連結。」”That was more than art, that was our bounding.” Pat Steir 說。

聖誕、新年緊接著台北當代：派對的季節，藝術人怎麼看藝術界裡的派對？“Party connects people.”How Art People Thnik about Party in Art World?

By: ART PRESS Editorial December 25, 2019June 28, 2020

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派對在藝術界裡頭的角色，有多重要？以及，派對為什麼如此不可或缺？

你也期待在藝術界裡，不只談藝術嗎？「更多自由開放、世代差異的思想交流」：第二屆台北當代 2020年「新觀點共享平台」How to open a dialogue with the art world around a wider topic? The Idea Program of Taipei Dangdai 2020

By: ART PRESS Editorial December 11, 2019December 12, 2019

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看第二屆台北當代，如何透過了解本地、反思超級藝博，打造出一個有別於以往的頂尖藝術博覽會。

「不能失了自己，藝術家是隨心所欲，不是隨便。」專訪藝術家莊普 “Being an artist, follow your heart but doesn’t mean you don’t care.” – Interview with TSONG PU

By: ART PRESS Editorial December 6, 2019December 10, 2019

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「因為如果超過那個規則那你就不是自己了。隨心，但不是隨便。」台灣抽象繪畫的極簡藝術大師莊普(TSONG Pu)說。

藝術家們的創作能帶給國家和文化是？國家最高榮譽藝文獎項：莊普等七人獲國家文藝獎 The Artist TSONG Pu and six creator won the top honorable prize by National Culture and Arts Foundation.

By: ART PRESS Editorial December 4, 2019December 4, 2019

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「藝術家的存在，對於社會的意義是什麼？」這可能是許多藝術、舞蹈、音樂等各領域創作者都曾思考過的問題。