「以當前的亞洲藝術界來說，無論香港、上海的藝術博覽會如何，每個博覽會本身以及博覽會的觀眾都不同。」
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「成就一件事情，是很多因緣的組合。」：專訪中國當代抽象先鋒藝術家 馮鍾睿 於Galerie Vazieux個展 Fong Chung-Ray has revived the spiritual essence of Buddhism and invites the viewer to contemplate along: Interview with Artist Fong Chung-Ray in Galerie Vazieux
與其說馮鍾睿期待喚起的是佛法，不如說馮鍾瑞所談的，是佛家哲理中所蘊含的精神本質。
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「台灣好的優點，本來就很好，並不是因為有了外來勢力而瞬間變好的。」專訪 ART TAIPEI 畫廊協會理事長鍾經新 “Something Good of Taiwan is a fact for long time, it’s not like something happen then make it become good.” – Interview with Director of ART TAIPEI-the Taiwan Art Gallery Association
「有外來勢力進來並不是壞事情，那是讓更多人看到台灣有潛力在。」
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令人失落與孤寂的，或許不是已經失去的，而是終將逝去的：「我想知道靈魂的歸屬和去向。」專訪 鹽田千春 “ I want to understand my soul and where it belongs” – Interview with Chiharu Shiota
「而我自己得出的結論是：我覺得人的記憶這樣東西，和所謂的靈魂很像。」
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網路時代的如今，你我早已在她說的監獄裡。鄭淑麗：「無論幸福或不幸，尊重個人追求不同版本人生之權利。」3X3X6 by Shu Lea Cheang, Collateral Event of the 58th International Art Exhibition, La Biennale di Venezia
「無論幸福或不幸，尊重個人追求不同版本人生之權利。」— 鄭淑麗
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“You should always remember: The most important thing is that everything continues to accumulate in your life.” – An Interview with Shyu Ruey-Hsuann
“I don’t ask for a longer life, but I will never leave my life wasted.” —— Shyu Ruey-Hsuann
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「只需要記得，最重要的是你的生命會不斷的累積。」- 專訪徐瑞憲 “You should always remember: The most important thing is that everything continues to accumulate in your life.” – An Interview with Shyu Ruey-Hsuann
「而你會體會到其實生命的價值，就是不斷的磨練自己，因為這些磨練和考驗，才淬煉出新的生命。」—— 徐瑞憲 Shyu Ruey-Hsuann
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The desire of recording what he sees on daily basis is even more urgent to create epic, magnified truth. — Interview with Noel McKenna
The texture of his painting is somehow subtle while he depicts some unknown moment that is going to disappear in the next second, as if it passes, the world will no longer be the same.
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他對於畫下每日所見的片刻的慾望，更勝於細緻雕琢繽紛的、偉大的圖像：專訪 Noel Mckenna｜The desire of recording what he sees on daily basis is even more urgent to create epic, magnified truth. — Interview Noel McKenna
他的繪畫帶著某種僅有不斷持續作畫才有的手感，勾勒著每個下一秒就要消失的片刻，彷彿越過那一秒，世界就要不同了。
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‘A man needs three bamboo sticks to make his life complete. The first one is a brush for writing, and the other two are the chopsticks for dining.’ — Interview with Yang Jiechang
“I’ve been holding the brushes for nearly six decades. I know how they weigh.” — Yang Jiechang
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