「藝術應是可以解放靈魂， 讓我們能走得更遠的東西。」Keith Haring｜ART PRESS 365:“Art should be something that liberates your soul, provokes the imagination and encourages people to go further.” said Keith Haring.

By: ART PRESS Editorial
magazine 雜誌, , Leave a Comment on 「藝術應是可以解放靈魂， 讓我們能走得更遠的東西。」Keith Haring｜ART PRESS 365:“Art should be something that liberates your soul, provokes the imagination and encourages people to go further.” said Keith Haring.

早在1980年代早期，他將漫畫塗鴉等當時被認為是「低俗」的文化元素。

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「女人應該要有己見吧， 我可是這麼想的。」Vivian Maier｜ART PRESS 365: “Women are supposed to have an opinion, I hope. Come on.” said Vivian Maier.

By: ART PRESS Editorial
magazine 雜誌, , Leave a Comment on 「女人應該要有己見吧， 我可是這麼想的。」Vivian Maier｜ART PRESS 365: “Women are supposed to have an opinion, I hope. Come on.” said Vivian Maier.

不為什麼而做的那種自由，以及已無從得知的20世紀女性思想。

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台灣還有攝影市場嗎？一個因「攝影創作者輸出作品殺價」開始的新模式：Avocado攝影藝術中心誕生 What’s wrong with the Photography market in Taiwan? A new business model created by Avocado Photography Art Centre.

By: ART PRESS Editorial
magazine 雜誌Leave a Comment on 台灣還有攝影市場嗎？一個因「攝影創作者輸出作品殺價」開始的新模式：Avocado攝影藝術中心誕生 What’s wrong with the Photography market in Taiwan? A new business model created by Avocado Photography Art Centre.

因為攝影作品在過去總是難以銷售的『常態』，連帶影響到攝影創作者們不惜降低攝影作品呈現品質。

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「我想，是這個世界的粗魯無禮，才造就了我的作品。」Cindy Sherman｜ART PRESS 365: “I guess the inconsiderate rudeness of social ineptitude definitely fuels my work. ” said Cindy Sherman.

By: ART PRESS Editorial
magazine 雜誌, , Leave a Comment on 「我想，是這個世界的粗魯無禮，才造就了我的作品。」Cindy Sherman｜ART PRESS 365: “I guess the inconsiderate rudeness of social ineptitude definitely fuels my work. ” said Cindy Sherman.

和多數女性一樣喜歡自拍跟扮裝的她，嘗試透過作品反諷主流社會、媒體形塑的傳統女性刻板樣貌。

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每每七夕就被提醒孤單？5 個藝術家作品，談現代生活孤獨與疏離的無所不在 Feel alone only in Valentine’s Day? Five artists’ work about loneliness, reveal the distance between people.

By: ART PRESS Editorial
magazine 雜誌, Leave a Comment on 每每七夕就被提醒孤單？5 個藝術家作品，談現代生活孤獨與疏離的無所不在 Feel alone only in Valentine’s Day? Five artists’ work about loneliness, reveal the distance between people.

近年來，不管是寂寞經濟日益興盛，各式各樣的『無痛社交』、『租借陪伴』等各種需求逐日高漲。

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「作品只有好看是不夠的， 我更想傳達的是潛意識地焦慮、恐懼。」Gregory Crewdson｜ART PRESS 365: “that beauty is not enough. I strive to convey an underlying edge of anxiety, of isolation, of fear.” said Gregory Crewdson.

By: ART PRESS Editorial
magazine 雜誌Leave a Comment on 「作品只有好看是不夠的， 我更想傳達的是潛意識地焦慮、恐懼。」Gregory Crewdson｜ART PRESS 365: “that beauty is not enough. I strive to convey an underlying edge of anxiety, of isolation, of fear.” said Gregory Crewdson.

基礎經濟需求滿足後，人們就幸福快樂了嗎？本集分享善於擅長捕捉日常裡的焦慮與不安的藝術家。

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《重生:瑪莉娜‧克魯斯、傅饒、石晉華》, Courtesy of 安卓藝術 Mind Set Art Center

倘若眼前是重生，你又將從何找尋重生的能量？《重生:瑪莉娜‧克魯斯、傅饒、石晉華》於安卓藝術 Explored the possibilities of life’s continuation: “Renaissance – Marina CRUZ, Rao FU and SHI Jin-Hua” in Mind Set Art Center

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magazine 雜誌, On View 現正展出, , , , Leave a Comment on 倘若眼前是重生，你又將從何找尋重生的能量？《重生:瑪莉娜‧克魯斯、傅饒、石晉華》於安卓藝術 Explored the possibilities of life’s continuation: “Renaissance – Marina CRUZ, Rao FU and SHI Jin-Hua” in Mind Set Art Center

面對「重生」的所有不適與變動，你又將如何知悉生命的厚度、尋得過往生命蹤跡，藉以引領自己望向未來？

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如今社會的「大環境常態」，你買單嗎？「它許你一個願，但把你真正的夢想偷走」: 專訪崔廣宇 Interview with Tsui Kuang Yu in Double Square Gallery @Taipei.

By: ART PRESS Editorial
magazine 雜誌, , Leave a Comment on 如今社會的「大環境常態」，你買單嗎？「它許你一個願，但把你真正的夢想偷走」: 專訪崔廣宇 Interview with Tsui Kuang Yu in Double Square Gallery @Taipei.

「面對那些習以為常的社會現象，我們是否有能力去檢驗這裡面扭曲的價值與偏見？」崔廣宇說。

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Ep. 003｜ART PRESS 365｜Tracey Emin

「我非常獨立，如果不是因為我的成長經歷，我可能不會。」Tracey Emin｜ART PRESS 365: “I am fiercely independent and I probably wouldn’t be if it wasn’t for the way in which I was brought up. ” said Tracey Emin.

By: ART PRESS Editorial
magazine 雜誌, , Leave a Comment on 「我非常獨立，如果不是因為我的成長經歷，我可能不會。」Tracey Emin｜ART PRESS 365: “I am fiercely independent and I probably wouldn’t be if it wasn’t for the way in which I was brought up. ” said Tracey Emin.

徹底暴露隱私苦痛，是不道德的嗎？而傷痛的記憶，有機會轉變成愛嗎？

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專訪藝術家陳萬仁 & Juan Zamora Interview with Chen Wan-Jen & Juan Zamora in Double Square Gallery

創作是為了達到什麼目的？「你必須先能夠樂在其中」：專訪藝術家陳萬仁 & Juan Zamora 於双方藝廊雙個展 Interview with Chen Wan-Jen & Juan Zamora in Double Square Gallery

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magazine 雜誌, , , , Leave a Comment on 創作是為了達到什麼目的？「你必須先能夠樂在其中」：專訪藝術家陳萬仁 & Juan Zamora 於双方藝廊雙個展 Interview with Chen Wan-Jen & Juan Zamora in Double Square Gallery

「創作這無關看起來是否複雜。而是像陳萬仁說的一樣，藝術更重要的是：你必須能夠樂在其中。」Juan Zamora 說。

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Baboo ,,2020,裝置、網路直 播、互動式演出,複合媒材,尺寸依現場空間。演 出執行:莎妹工作室。臺北市立美術館提供。 Baboo , Corona Villa , 2020, installation, live streaming, interactive performance, mixed media, dimensions variable. Performance execution: Shakespeare’s Wild Sisters Group Courtesy of Taipei Fine Arts Museum.

只要把自己關起來，一切就會好了嗎？策展人蕭淑文、耿一偉呈現《藍天之下：我們時代的精神狀況》”Between Earth and the Sky: The Spiritual State of Our Times” by curator Jo Hsiao, Yi-Wei Keng.

By: ART PRESS Editorial
magazine 雜誌, On View 現正展出, , , , Leave a Comment on 只要把自己關起來，一切就會好了嗎？策展人蕭淑文、耿一偉呈現《藍天之下：我們時代的精神狀況》”Between Earth and the Sky: The Spiritual State of Our Times” by curator Jo Hsiao, Yi-Wei Keng.

如今這個有待評估的生存環境，其實全是人們一手創造出來的局面。

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「因為有破碎 ，你才有機會建構新的想法。」Anselm Kiefer｜ART PRESS 365: “Ruins, for me, are the beginning. With the debris, you can construct new ideas.” Anselm Kiefer said.

By: ART PRESS Editorial
magazine 雜誌Leave a Comment on 「因為有破碎 ，你才有機會建構新的想法。」Anselm Kiefer｜ART PRESS 365: “Ruins, for me, are the beginning. With the debris, you can construct new ideas.” Anselm Kiefer said.

藝術總是那麼遙遠嗎？支持 ART PRESS 提供更加易讀的藝術知識，給因支持藝術、文化而關注的你/妳。

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何采柔，20200610，互動響應式網頁, Courtesy of artist & 《給火星人類學家》

你能不帶成見地看藝術作品嗎？包含必須要有實體這件事：《給火星人類學家》線上與實體開展Could you be able to see art without stereotypes? An online group show: “To Martian Anthropologists.”

By: ART PRESS Editorial
magazine 雜誌, On View 現正展出, , Leave a Comment on 你能不帶成見地看藝術作品嗎？包含必須要有實體這件事：《給火星人類學家》線上與實體開展Could you be able to see art without stereotypes? An online group show: “To Martian Anthropologists.”

在疫情之下掀起風潮的線上展覽的意義與角色是什麼？點擊觀看這個徹底以線上為主的展覽。

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「身為藝術家， 你不能去擔心人們會如何非議你的作品。」| Allen Jones｜ART PRESS 365: “The artist cannot worry about how someone might misconstrue the work.” Allen Jones said.

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magazine 雜誌Leave a Comment on 「身為藝術家， 你不能去擔心人們會如何非議你的作品。」| Allen Jones｜ART PRESS 365: “The artist cannot worry about how someone might misconstrue the work.” Allen Jones said.

藝術總是那麼遙遠嗎？支持 ART PRESS 提供更加易讀的藝術知識，給因支持藝術、文化而關注的你/妳。

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我們何以至此？從那條「不平等起跑線」開始的：崔廣宇個展《惡日常/150米的人生可能》How did we end up here? All begins with “an unfair starting line”: Daily Sucks/150 Meters of LoveHomePeace – Tsui Kuang-Yu Solo Exhibition

By: ART PRESS Editorial
magazine 雜誌, On View 現正展出, , , , Leave a Comment on 我們何以至此？從那條「不平等起跑線」開始的：崔廣宇個展《惡日常/150米的人生可能》How did we end up here? All begins with “an unfair starting line”: Daily Sucks/150 Meters of LoveHomePeace – Tsui Kuang-Yu Solo Exhibition

對於藝術家來說荒謬的現象，或許對大多數人來說早已成為日常。

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