在藝術界,你如何獲得展覽機會?含時間軸總整理,關於當代館楊俊事件的 3個要點,平衡雙方說法 In art world, how do artist get the opportunity to join an exhibition? About the controversial between Jun Yang and MoCA Taipei.

身在藝術界的你是否曾思考,你的展覽機會通常需要經過哪些流程才得以確定的?

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這才不是「儀式感」而已!5個原因,解釋為什麼藝術家們總是堅持以「實體」展覽呈現作品 Why we still need physical exhibition? Five reasons explain why art world need physical ways to present arts.

藝術作品呈現給觀眾的方式,真的只是為了美觀而背後毫無意義嗎?

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持續更新|藝文場館、活動停辦/延期整理包:文化部估損失達6億,今公布補償方案,17日起開始受理 More museums in Taiwan temporarily closed: Ministry of Culture of Taiwan announced the regulation for COVID-19 pandemic outbreak.

文化部藝文事業營運損失補助專案須知連結點擊內文。

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談到歸屬,人們投以積極就能換來安穩嗎?「消極意味著一種隨機,不是交易也不是強求。」專訪方偉文 “Everything is meaningful.”Interview with Fang Wei-Wen during “Bits, West, Ba, Pipe, 102, Saggy, Far Away” in Project Fulfill Art Space.

試問日常裡,看似牢固的東西便是全然安穩的嗎?看似搖搖晃晃,唯唯諾諾,全然匱乏的事物,也可能是粗壯且堅定無比的骨幹。

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在藝術界裡,大膽地討論事情是很冒險的?被認為是佔盡資源的「楊俊 藝術家,合作者,他們的展覽與三個場域」Why people always try to make “an artist” like a super star? “The Artist, his Collaborators, their Exhibition, and three Venues” in MOCA Taipei

一個藝術家展覽,佔領了台北三個場域,受關注時也引起了不少藝術界人士批評,認為這是一個佔盡資源的行為。

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從雨夜花、到國歌,那些你一定聽過的聲響如何是歷史的血與肉?台北當代館跨年大展《聲經絡》How could we understand the history and culture through sound study?“Sound Meridians”  by curator Jeph Lo in MOCA Taipei

在你更進一步往書本文字裡探究歷史、文化之前,別忘了其實穿梭於每一段真實歷史的「聲響」,往往是最貼近那真實文化與當時精神的。

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藝術還能尖銳批判嗎?「多半只能點到為止」專訪《穿孔城市》策展人黃海鳴的4則實話實說 Can art really criticize society? “Now might be a little.” Three truth by Huang Hai-Ming, the curator of Perforated City.

在現實生活中,藝術人的真實評論與批判檢討,真的能為人所接受嗎?

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你有多瞭解台北?4 個來自策展人的反思:台北當代藝術館年度大展「穿孔城市」 How much you know about Taipei? 4 idea by curator about Taipei: Perforated City in MOCA Taipei.

每個城市皆有其美,但人們是否曾經以更真實、更赤裸地的方式了解它?

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