如戲劇與電影，人們讓藝術不斷地被創造後、抹除：「更迭突顯了日常的虛無」《沙漠》吳家昀個展 “In Desert – Wu Chia-Yun Solo Exhibition”

By: ART PRESS Editorial
magazine 雜誌, , , , , , , , , , , ,

藝術之所以能夠帶給人們感性經驗，並不是因為眾人一同將作品高舉，而是藝術家與觀眾共享著一段關於作品與空間本身的哲思。

Read More

普遍的VR虛擬展廳，象徵藝術界成功數位化了？「讓人能產生共鳴才是關鍵」：視盟「全球災難共同體」系列對談(II) More and more VR online viewing room, art world already finish the digitalization? AVAT’s 2020 Art Exchange Online Forum (II)

By: ART PRESS Editorial
magazine 雜誌, , , , , , ,

儘管全球藝術界都在短時間內學會了如何以線上方式維持藝術界運作，就代表數位化全然地成功了嗎？

Read More
Jacopo del Sellaio’s painting in the tower bedroom at Villa Cerruti. Photo by Francesco Federico Cerruti, late 1980s. Courtesy Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Turin.

收藏，為何需了解文物歷史？義大利博物館與當時納粹掠奪文物繪畫合法擁有者達成了補償協議 Why we have to realize the history of the painting? An Italian museum reached a restitution deal with the rightful owners of a Renaissance painting looted by the Nazis.

By: ART PRESS Editorial
, , Leave a Comment on 收藏，為何需了解文物歷史？義大利博物館與當時納粹掠奪文物繪畫合法擁有者達成了補償協議 Why we have to realize the history of the painting? An Italian museum reached a restitution deal with the rightful owners of a Renaissance painting looted by the Nazis.

這位贊助者早在1980年代就買下了這幅畫，卻沒有意識到這幅作品背後的歷史。

Read More