混亂時局下,藝術家如何敢於摧毀?法國新寫實主義先鋒阿曼回顧展登台於金馬賓館:《阿曼:思考物件》In the end of the year, reveal all the chaos: ALIEN Art Centre presents “Arman: Think Things” and “Jean Claude Wouters: Light of Void”

尤其在疫情過後,當踏進建築、環境、光影與視覺藝術合為一的場域時,前往的朋友們便將再次理解到實體展覽的存在意義。

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藝文應比照一般產業?險遭刪3億紓困預算,文化部長李永得:「產業結構不同,僅靠幾次演出支撐整年」”Most of the art and performance team, need the whole year budget for only few show.”: We almost lost 3 hundred million grants from Ministry of Culture of Taiwan.

「這是因為藝文工作者的產業結構,一年就靠那幾次的演出,來作為他整年的收入。」文化部長李永得說。

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暴力發生時人們觀看,那藝術家呢?性、肉體、實況訊號,來自蘇匯宇/鄭先喻〈復仇現場〉的 3個提問 When violence happen people watch with digital device, how about artists? Gender, sex, body, and live, 3 questions by “Revenge Scenes” by Su Hui-Yu and Cheng Hsien-Yu

透過科技影像輔助,這是精準的靈性升級,還是另一次的自我監視、暴露與「透明社會」?

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