冰川、科技、人類世,為什麼人們住在城市卻嚮往這裡?談時間與荒野,本事藝術嶄新展覽《深時》Glacier, Technology and Anthropocene, why people choose to live in city but eager to visit here? Solid Art present “Glacial”

「人類很常這樣:破壞和浪費到一個地步,突然間想到了覺得需要反省、需要補救的時候,卻又發現很難補救。」藝術家許聖泓說。

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創作成本高昂的錄像、裝置作品,資源卻相對更少?聚焦「錄像及科技新媒體」的2021桃源美展,徵件至8/16! More support especially for video and installation artists, open call of brand new Taoyuan Fine Art Exhibition 2021 until 8/16 5pm!

尤其是錄像、新媒體藝術家,每一件創作作品,其實背後是需要一整個團隊運作才能完成作品的繁複工程。

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暴力發生時人們觀看,那藝術家呢?性、肉體、實況訊號,來自蘇匯宇/鄭先喻〈復仇現場〉的 3個提問 When violence happen people watch with digital device, how about artists? Gender, sex, body, and live, 3 questions by “Revenge Scenes” by Su Hui-Yu and Cheng Hsien-Yu

透過科技影像輔助,這是精準的靈性升級,還是另一次的自我監視、暴露與「透明社會」?

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