普遍的VR虛擬展廳，象徵藝術界成功數位化了？「讓人能產生共鳴才是關鍵」：視盟「全球災難共同體」系列對談(II) More and more VR online viewing room, art world already finish the digitalization? AVAT’s 2020 Art Exchange Online Forum (II)

By: ART PRESS Editorial
magazine 雜誌, , , , , , , Leave a Comment on 普遍的VR虛擬展廳，象徵藝術界成功數位化了？「讓人能產生共鳴才是關鍵」：視盟「全球災難共同體」系列對談(II) More and more VR online viewing room, art world already finish the digitalization? AVAT’s 2020 Art Exchange Online Forum (II)

儘管全球藝術界都在短時間內學會了如何以線上方式維持藝術界運作，就代表數位化全然地成功了嗎？

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對所有機構來說，線上化都很容易？藝術界應付疫情一年後的3個常見迷思：視盟「全球災難共同體」系列對談 Is that easy for every non-profit art institution to make everything online? Here’s three myths debunked.

By: ART PRESS Editorial
magazine 雜誌, , , , , , Leave a Comment on 對所有機構來說，線上化都很容易？藝術界應付疫情一年後的3個常見迷思：視盟「全球災難共同體」系列對談 Is that easy for every non-profit art institution to make everything online? Here’s three myths debunked.

對於無商業可能性的非營利機構來說，藝術活動線上化也是如此容易嗎？

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