冰川、科技、人類世,為什麼人們住在城市卻嚮往這裡?談時間與荒野,本事藝術嶄新展覽《深時》Glacier, Technology and Anthropocene, why people choose to live in city but eager to visit here? Solid Art present “Glacial”

「人類很常這樣:破壞和浪費到一個地步,突然間想到了覺得需要反省、需要補救的時候,卻又發現很難補救。」藝術家許聖泓說。

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暴力發生時人們觀看,那藝術家呢?性、肉體、實況訊號,來自蘇匯宇/鄭先喻〈復仇現場〉的 3個提問 When violence happen people watch with digital device, how about artists? Gender, sex, body, and live, 3 questions by “Revenge Scenes” by Su Hui-Yu and Cheng Hsien-Yu

透過科技影像輔助,這是精準的靈性升級,還是另一次的自我監視、暴露與「透明社會」?

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我們何以至此?從那條「不平等起跑線」開始的:崔廣宇個展《惡日常/150米的人生可能》How did we end up here? All begins with “an unfair starting line”: Daily Sucks/150 Meters of LoveHomePeace – Tsui Kuang-Yu Solo Exhibition

對於藝術家來說荒謬的現象,或許對大多數人來說早已成為日常。

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