【思考未來前,先回顧 II】線上展廳蔚為風潮?回顧2019年,新興與千禧一代才是線上銷售大宗 The pause and blank is the time for us to look back (II): In 2019, new and millennial collectors is the most regular users of the online channel.

千禧時代的用戶,對於網上購買一切生活所需是非常習慣的。在千禧一代的高資產淨值收藏家中,有高達 92%的人曾於線上購買藝術品。

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「不只是為畫廊,更是為了觀眾」2020唯一順利藝博會台北當代也推出數位計劃 “Taipei Connections” The only one art fair held as planned-Taipei Dangdai launch an online program “Taipei Connections”

線上平台對台北當代來說,並非是一個無法舉辦藝術博覽會而改由線上代替的方案。

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The desire of recording what he sees on daily basis is even more urgent to create epic, magnified truth. — Interview with Noel McKenna

The texture of his painting is somehow subtle while he depicts some unknown moment that is going to disappear in the next second, as if it passes, the world will no longer be the same.

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擁護無常的愉悅:專訪克魯茲迭斯 (下) In Support of Unstables Pleasures: An Interview With Carlos Cruz-Diez II.

「有些藝術表現形式不需要以「XX運動」為名,但它們仍會留存於藝術史的脈絡之中。」

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擁護無常的愉悅:專訪克魯茲迭斯 (上) In Support of Unstables Pleasures: An Interview With Carlos Cruz-Diez I.

「我相信科技,是永遠都會為靈感服務的。」

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台北瘋狂藝術週結束!宮津大輔 :「對我來說,比起藝術品,真正意義重大的是和藝術界朋友們的情感」Daisuke Miyatsu: ” For me the relationship with friends is more impressive than the artworks”: The First Edition of Taipei Dangdai

”The face to face communication is still most important for me even the internet, smartphone and SNS“

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你心目中最適合形容台北藝術市場的字詞是?來自 3 個跨國畫廊的答案 How Will You Describe the Current Taiwan Art Market in One Word ? The Idea from 3 International Outstanding Gallery.

儘管許多參展藝廊是第一次來到台北參展博覽會,但他們對台北的了解可能超過你的想像得多。

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