「因為有破碎 ，你才有機會建構新的想法。」Anselm Kiefer｜ART PRESS 365: “Ruins, for me, are the beginning. With the debris, you can construct new ideas.” Anselm Kiefer said.

By: ART PRESS Editorial
magazine 雜誌Leave a Comment on 「因為有破碎 ，你才有機會建構新的想法。」Anselm Kiefer｜ART PRESS 365: “Ruins, for me, are the beginning. With the debris, you can construct new ideas.” Anselm Kiefer said.

藝術總是那麼遙遠嗎？支持 ART PRESS 提供更加易讀的藝術知識，給因支持藝術、文化而關注的你/妳。

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何采柔，20200610，互動響應式網頁, Courtesy of artist & 《給火星人類學家》

你能不帶成見地看藝術作品嗎？包含必須要有實體這件事：《給火星人類學家》線上與實體開展Could you be able to see art without stereotypes? An online group show: “To Martian Anthropologists.”

By: ART PRESS Editorial
magazine 雜誌, On View 現正展出, , Leave a Comment on 你能不帶成見地看藝術作品嗎？包含必須要有實體這件事：《給火星人類學家》線上與實體開展Could you be able to see art without stereotypes? An online group show: “To Martian Anthropologists.”

在疫情之下掀起風潮的線上展覽的意義與角色是什麼？點擊觀看這個徹底以線上為主的展覽。

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「身為藝術家， 你不能去擔心人們會如何非議你的作品。」| Allen Jones｜ART PRESS 365: “The artist cannot worry about how someone might misconstrue the work.” Allen Jones said.

By: ART PRESS Editorial
magazine 雜誌Leave a Comment on 「身為藝術家， 你不能去擔心人們會如何非議你的作品。」| Allen Jones｜ART PRESS 365: “The artist cannot worry about how someone might misconstrue the work.” Allen Jones said.

藝術總是那麼遙遠嗎？支持 ART PRESS 提供更加易讀的藝術知識，給因支持藝術、文化而關注的你/妳。

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我們何以至此？從那條「不平等起跑線」開始的：崔廣宇個展《惡日常/150米的人生可能》How did we end up here? All begins with “an unfair starting line”: Daily Sucks/150 Meters of LoveHomePeace – Tsui Kuang-Yu Solo Exhibition

By: ART PRESS Editorial
magazine 雜誌, On View 現正展出, , , , Leave a Comment on 我們何以至此？從那條「不平等起跑線」開始的：崔廣宇個展《惡日常/150米的人生可能》How did we end up here? All begins with “an unfair starting line”: Daily Sucks/150 Meters of LoveHomePeace – Tsui Kuang-Yu Solo Exhibition

對於藝術家來說荒謬的現象，或許對大多數人來說早已成為日常。

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藝術還能尖銳批判嗎？「多半只能點到為止」專訪《穿孔城市》策展人黃海鳴的3則實話實說 Can art really criticize society? "Now might be a little." Three truth by Huang Hai-Ming, the curator of Perforated City.

藝術還能尖銳批判嗎？「多半只能點到為止」專訪《穿孔城市》策展人黃海鳴的4則實話實說 Can art really criticize society? “Now might be a little.” Three truth by Huang Hai-Ming, the curator of Perforated City.

By: ART PRESS Editorial
magazine 雜誌, On View 現正展出, PEOPLE 人物, , , Leave a Comment on 藝術還能尖銳批判嗎？「多半只能點到為止」專訪《穿孔城市》策展人黃海鳴的4則實話實說 Can art really criticize society? “Now might be a little.” Three truth by Huang Hai-Ming, the curator of Perforated City.

在現實生活中，藝術人的真實評論與批判檢討，真的能為人所接受嗎？

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Juliane Laitzsch_Detail_of_a_fragment_02_2016 _鉛筆、色鉛筆、紙本_42x59.4cm, Courtesy of 本事藝術 Solid Art

藝術創作者必須是浪漫的？圖騰、刺繡、歷史，嘗試在精準仍保有詩意：本事藝術 《界外採光》Artists should all be romantic? Totem, research, history: “Daylighting” by Solid Art

By: ART PRESS Editorial
magazine 雜誌, On View 現正展出, , , Leave a Comment on 藝術創作者必須是浪漫的？圖騰、刺繡、歷史，嘗試在精準仍保有詩意：本事藝術 《界外採光》Artists should all be romantic? Totem, research, history: “Daylighting” by Solid Art

在《界外採光》裡，編織、圖騰搜尋，都是藝術家透過身體的勞動將時間編輯成空間：「編織是為了消除邊界，建立連結並鼓勵對話。」

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瑞秋·羅斯，《漂浮靈》，2018，單頻高清錄像，彩色，有聲，10分6秒。

謙遜、崇敬智慧，人們便將永不會重蹈覆轍嗎？《繆思、愚公與指南針》於坪山美術館 With wisdom and humble, human will never follow the same old road? “Muses,Yugong and Compasses” in PINGSHAN Art Museum

By: ART PRESS Editorial
magazine 雜誌, On View 現正展出, , Leave a Comment on 謙遜、崇敬智慧，人們便將永不會重蹈覆轍嗎？《繆思、愚公與指南針》於坪山美術館 With wisdom and humble, human will never follow the same old road? “Muses,Yugong and Compasses” in PINGSHAN Art Museum

對於強調謙遜美德、崇敬智慧與智者的東方社會來說，難道永遠都不會落入對自己過度自信的陷阱中嗎？

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「只有發展經濟不夠，心的問題要兼顧」前總統李登輝曾談及文化與藝術的 5則語錄 Five Quote about culture of Lee Teng-hui, Who Led Taiwan’s Turn to Democracy.

By: ART PRESS Editorial
ISSUE 話題, magazine 雜誌, , , Leave a Comment on 「只有發展經濟不夠，心的問題要兼顧」前總統李登輝曾談及文化與藝術的 5則語錄 Five Quote about culture of Lee Teng-hui, Who Led Taiwan’s Turn to Democracy.

ART PRESS 透過整理李前總統生前曾發表關於文化、藝術的思想，藉此緬懷這位『民主先生』。

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王德瑜 WANG TE-YU, museum

跋涉到訪後能得到什麼？「山與海，只能用身體探索」：《No.101》王德瑜個展於台東美術館 “You can only understand the idea of it through your body.”: “NO.101” WANG Te-Yu’s solo exhibition

By: ART PRESS Editorial
magazine 雜誌, On View 現正展出, Leave a Comment on 跋涉到訪後能得到什麼？「山與海，只能用身體探索」：《No.101》王德瑜個展於台東美術館 “You can only understand the idea of it through your body.”: “NO.101” WANG Te-Yu’s solo exhibition

「山是必須被敬畏的，當人類進入山的領域中，人必須相應於山的性情，以身體去感受山的給予。」

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身處數位社會你不感到麻木嗎？若你的重複也能是種生生不息:「↻」陳萬仁&胡安．薩摩拉雙個展 How could you still feel “fresh” in this digital modern life? “↻” Chen Wan-Jen and Juan Zamora Duo Exhibition at Double Square Gallery

By: ART PRESS Editorial
magazine 雜誌, On View 現正展出, , , Leave a Comment on 身處數位社會你不感到麻木嗎？若你的重複也能是種生生不息:「↻」陳萬仁&胡安．薩摩拉雙個展 How could you still feel “fresh” in this digital modern life? “↻” Chen Wan-Jen and Juan Zamora Duo Exhibition at Double Square Gallery

為什麼展覽叫做「↻」？試問每一位觀眾，倘若事物生與滅一再重複，你能分辨得出開始和結束嗎？

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Courtesy of Mind Set Art Center 安卓藝術

當你迷戀老物，你所著迷的是什麼？經藝術家內化、融會在地民俗：「拾到寶」李明則個展 If you love old things, what do you exactly like? Mind Set Art Center present “Serendipity – A Solo Exhibition by LEE Ming-tse” in Taipei.

By: ART PRESS Editorial
magazine 雜誌, , Leave a Comment on 當你迷戀老物，你所著迷的是什麼？經藝術家內化、融會在地民俗：「拾到寶」李明則個展 If you love old things, what do you exactly like? Mind Set Art Center present “Serendipity – A Solo Exhibition by LEE Ming-tse” in Taipei.

對藝術家李明則來說，關於創作力如何突破、想像力如何延展、以及為什麼如何迷戀老物等，這些全是從生活中而來的。

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13個地區、5項主題用線索展開探問 © 忠泰美術館

「永不拆除、永遠修護」梳理清水模精神，忠泰美術館呈現《粗獷主義建築展》Why we should never tear down the building: “SOS Brutalism—Save the Concrete Monsters!” by JUT art museum.

By: ART PRESS Editorial
magazine 雜誌, On View 現正展出Leave a Comment on 「永不拆除、永遠修護」梳理清水模精神，忠泰美術館呈現《粗獷主義建築展》Why we should never tear down the building: “SOS Brutalism—Save the Concrete Monsters!” by JUT art museum.

在建築史上常被譏為是醜陋、過時的技術，卻是影響全球甚鉅的前衛建築思潮之一。

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何時才能擺脫公共景觀的美學災難？執行時 3個常見實際情境分享，專訪李依樺與偶得設計陳怡彰 （下） About our public architectonic art and landscape: Interview with director I-Hua Lee and founder of Oude Light Kyle Chen. (II)

By: ART PRESS Editorial
ISSUE 話題, magazine 雜誌Leave a Comment on 何時才能擺脫公共景觀的美學災難？執行時 3個常見實際情境分享，專訪李依樺與偶得設計陳怡彰 （下） About our public architectonic art and landscape: Interview with director I-Hua Lee and founder of Oude Light Kyle Chen. (II)

其實回過頭來討論，教育還是最重要的。

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為什麼有些藝術品無法瞬間「看懂」? 意義究竟是？來自 3位頂尖收藏家分享對 Alicja Kwade 作品的思想 Non-traditional artworks are difficult to understand? 3 influencing art collectors in Asia sharing their idea about Alicja Kwade’s work.

By: ART PRESS Editorial
magazine 雜誌, PEOPLE 人物, , Leave a Comment on 為什麼有些藝術品無法瞬間「看懂」? 意義究竟是？來自 3位頂尖收藏家分享對 Alicja Kwade 作品的思想 Non-traditional artworks are difficult to understand? 3 influencing art collectors in Asia sharing their idea about Alicja Kwade’s work.

若收藏象徵著深度的理解，那麼收藏家將是最適合回答這個問題的人們。

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