ART PRESS ｜The Leading Contemporary Art Editorial and Art Knowledge Media based in Taipei, providing exhibitions, research artists, view and insights from Taiwan and the world’s leading galleries.

我們何以至此？從那條「不平等起跑線」開始的：崔廣宇個展《惡日常/150米的人生可能》How did we end up here? All begins with “an unfair starting line”: Daily Sucks/150 Meters of LoveHomePeace – Tsui Kuang-Yu Solo Exhibition

By: ART PRESS Editorial August 10, 2020August 10, 2020

magazine 雜誌, On View 現正展出Double Square Gallery, 錄像藝術, Tsui Kuang-Yu, 双方藝廊, 崔廣宇Leave a Comment

對於藝術家來說荒謬的現象，或許對大多數人來說早已成為日常。

藝術還能尖銳批判嗎？「多半只能點到為止」專訪《穿孔城市》策展人黃海鳴的3則實話實說 Can art really criticize society? "Now might be a little." Three truth by Huang Hai-Ming, the curator of Perforated City.

藝術還能尖銳批判嗎？「多半只能點到為止」專訪《穿孔城市》策展人黃海鳴的4則實話實說 Can art really criticize society? “Now might be a little.” Three truth by Huang Hai-Ming, the curator of Perforated City.

By: ART PRESS Editorial August 5, 2020August 8, 2020

magazine 雜誌, On View 現正展出, PEOPLE 人物穿孔城市, 黃海鳴, MOCATaipei, 台北當代藝術館Leave a Comment

在現實生活中，藝術人的真實評論與批判檢討，真的能為人所接受嗎？

Juliane Laitzsch_Detail_of_a_fragment_02_2016 _鉛筆、色鉛筆、紙本_42x59.4cm, Courtesy of 本事藝術 Solid Art

藝術創作者必須是浪漫的？圖騰、刺繡、歷史，嘗試在精準仍保有詩意：本事藝術《界外採光》Artists should all be romantic? Totem, research, history: “Daylighting” by Solid Art

By: ART PRESS Editorial August 2, 2020August 5, 2020

magazine 雜誌, On View 現正展出邱承宏, Juliane Laitzsch, 康雅筑, 本事藝術Leave a Comment

在《界外採光》裡，編織、圖騰搜尋，都是藝術家透過身體的勞動將時間編輯成空間：「編織是為了消除邊界，建立連結並鼓勵對話。」

謙遜、崇敬智慧，人們便將永不會重蹈覆轍嗎？《繆思、愚公與指南針》於坪山美術館 With wisdom and humble, human will never follow the same old road? “Muses,Yugong and Compasses” in PINGSHAN Art Museum

By: ART PRESS Editorial August 2, 2020August 2, 2020

magazine 雜誌, On View 現正展出坪山美術館, 楊福東, 何子彥Leave a Comment

對於強調謙遜美德、崇敬智慧與智者的東方社會來說，難道永遠都不會落入對自己過度自信的陷阱中嗎？

「只有發展經濟不夠，心的問題要兼顧」前總統李登輝曾談及文化與藝術的 5則語錄 Five Quote about culture of Lee Teng-hui, Who Led Taiwan’s Turn to Democracy.

By: ART PRESS Editorial July 31, 2020July 31, 2020

ISSUE 話題, magazine 雜誌藝術, 台灣文化, 文化, 李登輝Leave a Comment

ART PRESS 透過整理李前總統生前曾發表關於文化、藝術的思想，藉此緬懷這位『民主先生』。

跋涉到訪後能得到什麼？「山與海，只能用身體探索」：《No.101》王德瑜個展於台東美術館 “You can only understand the idea of it through your body.”: “NO.101” WANG Te-Yu’s solo exhibition

By: ART PRESS Editorial July 27, 2020

magazine 雜誌, On View 現正展出王德瑜, 台東美術館Leave a Comment

「山是必須被敬畏的，當人類進入山的領域中，人必須相應於山的性情，以身體去感受山的給予。」

身處數位社會你不感到麻木嗎？若你的重複也能是種生生不息:「↻」陳萬仁&胡安．薩摩拉雙個展 How could you still feel “fresh” in this digital modern life? “↻” Chen Wan-Jen and Juan Zamora Duo Exhibition at Double Square Gallery

By: ART PRESS Editorial July 24, 2020

magazine 雜誌, On View 現正展出Double Square Gallery, 陳萬仁, Juan Zamora, 双方藝廊Leave a Comment

為什麼展覽叫做「↻」？試問每一位觀眾，倘若事物生與滅一再重複，你能分辨得出開始和結束嗎？

「永不拆除、永遠修護」梳理清水模精神，忠泰美術館呈現《粗獷主義建築展》Why we should never tear down the building: “SOS Brutalism—Save the Concrete Monsters!” by JUT art museum.

By: ART PRESS Editorial July 18, 2020

magazine 雜誌, On View 現正展出Leave a Comment

在建築史上常被譏為是醜陋、過時的技術，卻是影響全球甚鉅的前衛建築思潮之一。

何時才能擺脫公共景觀的美學災難？執行時 3個常見實際情境分享，專訪李依樺與偶得設計陳怡彰（下） About our public architectonic art and landscape: Interview with director I-Hua Lee and founder of Oude Light Kyle Chen. (II)

By: ART PRESS Editorial July 7, 2020July 9, 2020

ISSUE 話題, magazine 雜誌Leave a Comment

其實回過頭來討論，教育還是最重要的。

By: ART PRESS Editorial July 4, 2020

magazine 雜誌Leave a Comment

「一件作品的價值或重要性，不再僅僅只是基於視覺美學。有更多程度地是基於作品背後的概念與思想。」

收藏家羅揚傑（Alan Lo）

為什麼有些藝術品無法瞬間「看懂」? 意義究竟是？來自 3位頂尖收藏家分享對 Alicja Kwade 作品的思想 Non-traditional artworks are difficult to understand? 3 influencing art collectors in Asia sharing their idea about Alicja Kwade’s work.

By: ART PRESS Editorial July 2, 2020July 3, 2020

magazine 雜誌, PEOPLE 人物Alicja Kwade, Winsing Art Place, 文心藝所Leave a Comment

若收藏象徵著深度的理解，那麼收藏家將是最適合回答這個問題的人們。

基金會點亮作品 - 2019年淡水禮拜堂, Courtesy of 中強光電文化藝術基金會提供

何時才能擺脫公共景觀的美學災難？從光節、光環境談美學教育，專訪李依樺與偶得設計陳怡彰（上） Intervie with director I-Hua Lee and founder of Oude Light Kyle Chen. (I)

By: ART PRESS Editorial June 30, 2020August 4, 2020

ISSUE 話題, magazine 雜誌台灣光環境獎, 中強光電文化藝術基金會Leave a Comment

兩位都一致認同的是：美學是感受，並不是考試。

西方文化為主體的知名博物館不存在歧視嗎？佛洛伊德事件後，5個國際知名藝術機構的反應與爭議 What did museum do after the Killing of George Floyd? From the Metropolitan Museum to SFMOMA.

By: ART PRESS Editorial June 26, 2020

ISSUE 話題, magazine 雜誌#blacklivesmatterLeave a Comment

值得更進一步探討的是：以西方文化為主體的各大藝術博物館們，是否也和種族歧視有著相似的傾向？

By: ART PRESS Editorial June 26, 2020July 4, 2020

magazine 雜誌Leave a Comment

想像你開始在全世界各地到處展覽，倫敦、紐約、巴黎，如此一來你一定得做出非常多作品，那這些作品、和你是否依然還是鮮活的呢？只有對自己保持真誠，才能知道了。

藝術家薩璨如

端午節其實是一種民族主義表現？歷史上 3個見證藝術與政治參與的激進現代藝術運動 Dragon Boat Festival is actaully one kind of nationalism? Three art movement involve in politics.

By: ART PRESS Editorial June 25, 2020June 26, 2020

magazine 雜誌Leave a Comment

愛國思想能夠觸發什麼行動？在歷史上，許多藝術家為此投身激進運動。

ART PRESS

當你迷戀老物，你所著迷的是什麼？經藝術家內化、融會在地民俗：「拾到寶」李明則個展 If you love old things, what do you exactly like? Mind Set Art Center present “Serendipity – A Solo Exhibition by LEE Ming-tse” in Taipei.

「如果沒有細菌，人類無法生存」Pierre Huyghe 提醒人們：毀滅與重生共存 “There is no human life without bacteria.” Pierre Huyghe tried to remind people that destruction along with rebirth.

「這些不只是一件件畫的買賣，而是一段段重要且真實的關係。」專訪台北當代聯合總監岳鴻飛 Robin Peckham “It’s not just a collectors-buy situation” Interview with Robin Peckham, Co-Director of Taipei Dangdai

「與其只是和香港比較，找到屬於自己的樣子才重要」: 關於台北當代來自 4 個本地參展畫廊的呼籲 “Instead of compared Taipei with Hong Kong and Shanghai…”: Opinion by four galleries of the first edition Taipei Dangdai

令人失落與孤寂的，或許不是已經失去的，而是終將逝去的：「我想知道靈魂的歸屬和去向。」專訪鹽田千春 “ I want to understand my soul and where it belongs” – Interview with Chiharu Shiota

池田亮司：「我覺得，藝術並不是拿來『了解』的。」藝術家在亞洲睽違十年的大型個展：池田亮司個展 “I think I don’t like the word called understand.”:Ryoji Ikeda Solo Exhibition @Taipei Fine Arts Museum

「與其只一味追求二手市場裡的明星，不如收藏的有時代精神。」：專訪 Wiyu Wahono｜An with Collector Wiyu Wahono X Art Formosa

是不是少了什麼？——反思缺乏美術史學訓練的藝術高等教育現場

我們何以至此？從那條「不平等起跑線」開始的：崔廣宇個展《惡日常/150米的人生可能》How did we end up here? All begins with “an unfair starting line”: Daily Sucks/150 Meters of LoveHomePeace – Tsui Kuang-Yu Solo Exhibition

藝術還能尖銳批判嗎？「多半只能點到為止」專訪《穿孔城市》策展人黃海鳴的4則實話實說 Can art really criticize society? “Now might be a little.” Three truth by Huang Hai-Ming, the curator of Perforated City.

藝術創作者必須是浪漫的？圖騰、刺繡、歷史，嘗試在精準仍保有詩意：本事藝術《界外採光》Artists should all be romantic? Totem, research, history: “Daylighting” by Solid Art

謙遜、崇敬智慧，人們便將永不會重蹈覆轍嗎？《繆思、愚公與指南針》於坪山美術館 With wisdom and humble, human will never follow the same old road? “Muses,Yugong and Compasses” in PINGSHAN Art Museum

「只有發展經濟不夠，心的問題要兼顧」前總統李登輝曾談及文化與藝術的 5則語錄 Five Quote about culture of Lee Teng-hui, Who Led Taiwan’s Turn to Democracy.

跋涉到訪後能得到什麼？「山與海，只能用身體探索」：《No.101》王德瑜個展於台東美術館 “You can only understand the idea of it through your body.”: “NO.101” WANG Te-Yu’s solo exhibition

身處數位社會你不感到麻木嗎？若你的重複也能是種生生不息:「↻」陳萬仁&胡安．薩摩拉雙個展 How could you still feel “fresh” in this digital modern life? “↻” Chen Wan-Jen and Juan Zamora Duo Exhibition at Double Square Gallery

「永不拆除、永遠修護」梳理清水模精神，忠泰美術館呈現《粗獷主義建築展》Why we should never tear down the building: “SOS Brutalism—Save the Concrete Monsters!” by JUT art museum.

何時才能擺脫公共景觀的美學災難？執行時 3個常見實際情境分享，專訪李依樺與偶得設計陳怡彰（下） About our public architectonic art and landscape: Interview with director I-Hua Lee and founder of Oude Light Kyle Chen. (II)

為什麼有些藝術品無法瞬間「看懂」? 意義究竟是？來自 3位頂尖收藏家分享對 Alicja Kwade 作品的思想 Non-traditional artworks are difficult to understand? 3 influencing art collectors in Asia sharing their idea about Alicja Kwade’s work.

何時才能擺脫公共景觀的美學災難？從光節、光環境談美學教育，專訪李依樺與偶得設計陳怡彰（上） Intervie with director I-Hua Lee and founder of Oude Light Kyle Chen. (I)

西方文化為主體的知名博物館不存在歧視嗎？佛洛伊德事件後，5個國際知名藝術機構的反應與爭議 What did museum do after the Killing of George Floyd? From the Metropolitan Museum to SFMOMA.

端午節其實是一種民族主義表現？歷史上 3個見證藝術與政治參與的激進現代藝術運動 Dragon Boat Festival is actaully one kind of nationalism? Three art movement involve in politics.