ART PRESS ｜The Leading Contemporary Art Editorial and Art Knowledge Media based in Taipei, providing exhibitions, research artists, view and insights from Taiwan and the world’s leading galleries.

為什麼有些藝術品無法瞬間「看懂」? 意義究竟是？來自 3位頂尖收藏家分享對 Alicja Kwade 作品的思想 Non-traditional artworks are difficult to understand? 3 influencing art collectors in Asia sharing their idea about Alicja Kwade’s work.

By: Art Press Editorial July 2, 2020July 3, 2020

magazine 雜誌, PEOPLE 人物Alicja Kwade, Winsing Art Place, 文心藝所Leave a Comment

若收藏象徵著深度的理解，那麼收藏家將是最適合回答這個問題的人們。

西方文化為主體的知名博物館不存在歧視嗎？佛洛伊德事件後，5個國際知名藝術機構的反應與爭議 What did museum do after the Killing of George Floyd? From the Metropolitan Museum to SFMOMA.

By: Art Press Editorial June 26, 2020

ISSUE 話題, magazine 雜誌#blacklivesmatterLeave a Comment

值得更進一步探討的是：以西方文化為主體的各大藝術博物館們，是否也和種族歧視有著相似的傾向？

By: Art Press Editorial June 26, 2020

magazine 雜誌Leave a Comment

想像你開始在全世界各地到處展覽，倫敦、紐約、巴黎，如此一來你一定得做出非常多作品，那這些作品、和你是否依然還是鮮活的呢？只有對自己保持真誠，才能知道了。

藝術家薩璨如

端午節其實是一種民族主義表現？歷史上 3個見證藝術與政治參與的激進現代藝術運動 Dragon Boat Festival is actaully one kind of nationalism? Three art movement involve in politics.

By: Art Press Editorial June 25, 2020June 26, 2020

magazine 雜誌Leave a Comment

愛國思想能夠觸發什麼行動？在歷史上，許多藝術家為此投身激進運動。

藝術只有破壞才是再造？踮腳、跨越，新樣貌躍然於眼前：賴志盛《接近》於北美館三樓藝想迴廊 A tip-toeing or stepping over, you can look out or touch something: Closer by Lai Chih-Sheng in Space C of Taipei Fine Arts Museum.

By: Art Press Editorial June 23, 2020June 25, 2020

magazine 雜誌, On View 現正展出臺北市立美術館, 藝想迴廊Leave a Comment

這一個獨立的空間，並非單單只是可環走美術館的功能迴廊，對美術館來說是一個重要的年度計畫。

《Invitation》Installation View of 鄭先喻個展｛同化者｝, Courtesy of 空總臺灣當代文化實驗場（C-LAB）& 洪建全基金會

一天內，你和手機分離最久的一次是？鄭先喻個展｛同化者｝透過感知模擬技術反思日常 When is your last time you put the phone down? ｛Assimilator｝,solo exhibition by Hsien-Yu CHENG.

By: Art Press Editorial June 22, 2020

magazine 雜誌, On View 現正展出鄭先喻, 銅鐘藝術賞, 洪建全基金會Leave a Comment

在真實世界暫時取消、暫停、消失的事物，都轉而走向網路上去，對於全人們來說，放下手機等電子裝置是否只會更難了？

「非藝博會，協獨立評選團甄選」：香港畫廊協會與12家畫廊於「大館」舉辦 UNSCHEDULED展覽 “It’s not an art fair.” 12 galleries and Hong Kong Art Gallery Association held the first art event named UNSCHEDULED.

By: Art Press Editorial June 21, 2020June 21, 2020

magazine 雜誌Leave a Comment

相比個別畫廊的影響力，這次的觀者體驗更關乎作品的呈現。」策展團隊表示。

[緊急中的沈思]展覽現場 Installation, View Courtesy of UCCA 尤倫斯當代藝術中心

「在危難時刻，我們須再三思索我們愛的人是誰。」尤倫斯當代藝術中心重啟後首個展覽《緊急中的沉思》 “During this time, We should think more about who we love.” The first exhibition of UCCA in 2020: Meditations in an Emergency.

By: Art Press Editorial June 19, 2020June 19, 2020

magazine 雜誌, On View 現正展出Leave a Comment

位於北京 UCCA尤倫斯當代藝術中心的 6位80後、甚至是90後策展人，嘗試引用了曾參與二次世界大戰詩人弗蘭克·奧哈拉（Frank O’Hara）的應對方式。

除了古蹟和街道美學，你對文化的想像還有？園林，最難被翻譯的文化製品：Para Site群展「一園六季」Except historic sites, what’s more to you about the imagination of culture? Para Site presents group show “Garden of Six Seasons”

By: Art Press Editorial June 12, 2020June 12, 2020

magazine 雜誌, On View 現正展出Leave a Comment

談到 #文化，包含傳統技藝、名勝古蹟、街道美學等各類別。然而，你是否曾想過，花園、#園林也是文化產物的一環嗎？

傅饒 Rao FU, 《雲火》 Cloud Fire 2019-2020 油彩、畫布 Oil on canvas 140 × 195 cm, Courtesy of 安卓藝術 Mind Set Art Center

「畫廊，與藝術家彼此互相瞭解與信任」安卓藝術十週年！推出特展｢生生長流｣ II “It shareds the mutual understanding and trust with artists.” The Special Project for MSAC 10th Anniversary II – And Life Goes On

By: Art Press Editorial June 6, 2020June 6, 2020

magazine 雜誌, On View 現正展出Leave a Comment

「與藝術家溝通創作的經歷和過程，適當地扶助藝術家的創作過程，並一同享用收藏的果實。不把藝術家的生產和創造力佔為己有。」藝術家于吉（YU Ji）說。

姚瑞中：犬儒共和國 Yao Jui Chung – Republic of Cynic (R.O.C.), 藝術家提供 Courtesy of Yao Jui Chung

「無論是否了解歷史及評論之前，至少先感受」: 4 個來自姚瑞中《犬儒共和國》打造的時代縫隙 “Even you don’t understand the history, at least try to feel.” Yao Jui Chung – Republic of Cynic (R.O.C.) in Taiwan Contemporary Culture Lab.

By: Art Press Editorial June 4, 2020June 4, 2020

magazine 雜誌, On View 現正展出犬儒共和國, 姚瑞中Leave a Comment

人們高度使用網路的同時也積極地參與政治討論的氛圍。然而，人們又是從哪些途徑了解、感受歷史的？

朱駿騰 Chu ChunTeng八月十五 August 15th, Courtesy of 台北當代藝術館 MOCA Taipei

你有多瞭解台北？4 個來自策展人的反思：台北當代藝術館年度大展「穿孔城市」 How much you know about Taipei? 4 idea by curator about Taipei: Perforated City in MOCA Taipei.

By: Art Press Editorial May 28, 2020May 29, 2020

magazine 雜誌, On View 現正展出穿孔城市, 台北當代藝術館Leave a Comment

每個城市皆有其美，但人們是否曾經以更真實、更赤裸地的方式了解它？

"When the “self” is reduced to an aggregation of data that generates suggestions on online platforms": the Up&Coming Sector of Gallery Week Beijing.

串流平台比朋友更了解你？當人們被簡化成網路平台上『猜你喜歡』數據時：畫廊週北京新勢力單元 “When the “self” is reduced to an aggregation of data that generates suggestions on online platforms”: the Up&Coming Sector of Gallery Week Beijing.

By: Art Press Editorial May 22, 2020

magazine 雜誌, On View 現正展出畫廊週北京, Gallery Week BeijingLeave a Comment

如此把我們自己提供給大數據，人與他人的關係被社交網絡化，與商家或其他組織的關係大多由評分制度壟斷。

藝術這一行的處變不驚(II):「無論線上或實體，藝術的核心是一樣的」MAI 36 畫廊｢凱若思｣項目展 How galleries react to the COVID-19 pandemic (II): “No matter online or not, the core is the same.” KAIROS – Showroom Taipei

By: Art Press Editorial May 9, 2020May 15, 2020

magazine 雜誌, On View 現正展出Leave a Comment

「見面對藝術界來說，始終是重要的」王維薇說。

勞動節特輯：那些關於藝術勞工，4個綿延不絕至今的老問題 About artists, creative artworker, the labor of art, five career problem in Taiwan.

By: Art Press Editorial May 1, 2020May 1, 2020

ISSUE 話題, magazine 雜誌Leave a Comment

勞動節回顧報導，談談十八般武藝精通但卻充滿危機與消耗辛苦的藝術勞工們。

ART PRESS

「當藝術家，必須對自己想做的事保持真誠。」專訪藝術家薩璨如 “Being an artists, you have to be sincere to what you want to do.” Interview with artist Cynthia Sah.

「如果沒有細菌，人類無法生存」Pierre Huyghe 提醒人們：毀滅與重生共存 “There is no human life without bacteria.” Pierre Huyghe tried to remind people that destruction along with rebirth.

「這些不只是一件件畫的買賣，而是一段段重要且真實的關係。」專訪台北當代聯合總監岳鴻飛 Robin Peckham “It’s not just a collectors-buy situation” Interview with Robin Peckham, Co-Director of Taipei Dangdai

「與其只是和香港比較，找到屬於自己的樣子才重要」: 關於台北當代來自 4 個本地參展畫廊的呼籲 “Instead of compared Taipei with Hong Kong and Shanghai…”: Opinion by four galleries of the first edition Taipei Dangdai

令人失落與孤寂的，或許不是已經失去的，而是終將逝去的：「我想知道靈魂的歸屬和去向。」專訪鹽田千春 “ I want to understand my soul and where it belongs” – Interview with Chiharu Shiota

池田亮司：「我覺得，藝術並不是拿來『了解』的。」藝術家在亞洲睽違十年的大型個展：池田亮司個展 “I think I don’t like the word called understand.”:Ryoji Ikeda Solo Exhibition @Taipei Fine Arts Museum

「與其只一味追求二手市場裡的明星，不如收藏的有時代精神。」：專訪 Wiyu Wahono｜An with Collector Wiyu Wahono X Art Formosa

是不是少了什麼？——反思缺乏美術史學訓練的藝術高等教育現場

為什麼有些藝術品無法瞬間「看懂」? 意義究竟是？來自 3位頂尖收藏家分享對 Alicja Kwade 作品的思想 Non-traditional artworks are difficult to understand? 3 influencing art collectors in Asia sharing their idea about Alicja Kwade’s work.

西方文化為主體的知名博物館不存在歧視嗎？佛洛伊德事件後，5個國際知名藝術機構的反應與爭議 What did museum do after the Killing of George Floyd? From the Metropolitan Museum to SFMOMA.

端午節其實是一種民族主義表現？歷史上 3個見證藝術與政治參與的激進現代藝術運動 Dragon Boat Festival is actaully one kind of nationalism? Three art movement involve in politics.

藝術只有破壞才是再造？踮腳、跨越，新樣貌躍然於眼前：賴志盛《接近》於北美館三樓藝想迴廊 A tip-toeing or stepping over, you can look out or touch something: Closer by Lai Chih-Sheng in Space C of Taipei Fine Arts Museum.

一天內，你和手機分離最久的一次是？鄭先喻個展｛同化者｝透過感知模擬技術反思日常 When is your last time you put the phone down? ｛Assimilator｝,solo exhibition by Hsien-Yu CHENG.

「非藝博會，協獨立評選團甄選」：香港畫廊協會與12家畫廊於「大館」舉辦 UNSCHEDULED展覽 “It’s not an art fair.” 12 galleries and Hong Kong Art Gallery Association held the first art event named UNSCHEDULED.

「在危難時刻，我們須再三思索我們愛的人是誰。」尤倫斯當代藝術中心重啟後首個展覽《緊急中的沉思》 “During this time, We should think more about who we love.” The first exhibition of UCCA in 2020: Meditations in an Emergency.

除了古蹟和街道美學，你對文化的想像還有？園林，最難被翻譯的文化製品：Para Site群展「一園六季」Except historic sites, what’s more to you about the imagination of culture? Para Site presents group show “Garden of Six Seasons”

「畫廊，與藝術家彼此互相瞭解與信任」安卓藝術十週年！推出特展｢生生長流｣ II “It shareds the mutual understanding and trust with artists.” The Special Project for MSAC 10th Anniversary II – And Life Goes On

「無論是否了解歷史及評論之前，至少先感受」: 4 個來自姚瑞中《犬儒共和國》打造的時代縫隙 “Even you don’t understand the history, at least try to feel.” Yao Jui Chung – Republic of Cynic (R.O.C.) in Taiwan Contemporary Culture Lab.

你有多瞭解台北？4 個來自策展人的反思：台北當代藝術館年度大展「穿孔城市」 How much you know about Taipei? 4 idea by curator about Taipei: Perforated City in MOCA Taipei.

串流平台比朋友更了解你？當人們被簡化成網路平台上『猜你喜歡』數據時：畫廊週北京新勢力單元 “When the “self” is reduced to an aggregation of data that generates suggestions on online platforms”: the Up&Coming Sector of Gallery Week Beijing.

藝術這一行的處變不驚(II):「無論線上或實體，藝術的核心是一樣的」MAI 36 畫廊｢凱若思｣項目展 How galleries react to the COVID-19 pandemic (II): “No matter online or not, the core is the same.” KAIROS – Showroom Taipei

勞動節特輯：那些關於藝術勞工，4個綿延不絕至今的老問題 About artists, creative artworker, the labor of art, five career problem in Taiwan.