當看著一條線，人們往往無法往更切片地，往裡頭看進去。
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三月給女性 ▍歷經生存與取捨，妳令自己仍自由無悔憾：《沒有煙硝的愛情》，給每一個懷著才華、浪漫與大千世界的女性 To women who live with freedom and love: “Cold War” by Paweł Pawlikowski
「每段人生都是一場災難，但我希望這部電影說的是一場美麗的災難。」 ─ ─《沒有煙硝的愛情》導演 帕維烏·帕夫利科夫斯基
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“You should always remember: The most important thing is that everything continues to accumulate in your life.” – An Interview with Shyu Ruey-Hsuann
“I don’t ask for a longer life, but I will never leave my life wasted.” —— Shyu Ruey-Hsuann
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「只需要記得，最重要的是你的生命會不斷的累積。」- 專訪徐瑞憲 “You should always remember: The most important thing is that everything continues to accumulate in your life.” – An Interview with Shyu Ruey-Hsuann
「而你會體會到其實生命的價值，就是不斷的磨練自己，因為這些磨練和考驗，才淬煉出新的生命。」—— 徐瑞憲 Shyu Ruey-Hsuann
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投射了幾分現實？3部影視作品，給春節仍心懷工作的藝術人 Is it realistic? “Velvet Buzzsaw” revealing art-world by thriller film
這之中究竟又有多是現實當代藝術產業可能發生、或正在發生的現況？
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The desire of recording what he sees on daily basis is even more urgent to create epic, magnified truth. — Interview with Noel McKenna
The texture of his painting is somehow subtle while he depicts some unknown moment that is going to disappear in the next second, as if it passes, the world will no longer be the same.
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他對於畫下每日所見的片刻的慾望，更勝於細緻雕琢繽紛的、偉大的圖像：專訪 Noel Mckenna｜The desire of recording what he sees on daily basis is even more urgent to create epic, magnified truth. — Interview Noel McKenna
他的繪畫帶著某種僅有不斷持續作畫才有的手感，勾勒著每個下一秒就要消失的片刻，彷彿越過那一秒，世界就要不同了。
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‘A man needs three bamboo sticks to make his life complete. The first one is a brush for writing, and the other two are the chopsticks for dining.’ — Interview with Yang Jiechang
“I’ve been holding the brushes for nearly six decades. I know how they weigh.” — Yang Jiechang
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『人的一生就是搞定這三根竹子就可以了，一個毛筆寫字，兩根竹子吃飯。』—— 專訪 楊詰蒼 Interview with Yang Jiechang
「兩三千年的皇權意識，獨裁統治，文化人只要拿起毛筆就可以在裡面天馬行空，信心滿滿。」
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In Support of Unstables Pleasures: An Interview With Carlos Cruz-Diez
I believe that technology must always be in the service of ideas. — Carlos Cruz-Diez
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