藝術裡，我們所說的卓越究竟是什麼？「一個抵抗這個世界原本的方式。」《賴志盛：繞梁》 Lai Chih-Sheng: Linger, solo exhibition at ALIEN ART CENTRE in Kaohsiung

By: ART PRESS Editorial
On View 現正展出, , , , , Leave a Comment on 藝術裡，我們所說的卓越究竟是什麼？「一個抵抗這個世界原本的方式。」《賴志盛：繞梁》 Lai Chih-Sheng: Linger, solo exhibition at ALIEN ART CENTRE in Kaohsiung

「我希望找到一個方式，一個抵抗這個世界原本的方式。不然藝術沒有任何作用，他只可以是一種表達。」賴志盛說。

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《重生:瑪莉娜‧克魯斯、傅饒、石晉華》, Courtesy of 安卓藝術 Mind Set Art Center

倘若眼前是重生，你又將從何找尋重生的能量？《重生:瑪莉娜‧克魯斯、傅饒、石晉華》於安卓藝術 Explored the possibilities of life’s continuation: “Renaissance – Marina CRUZ, Rao FU and SHI Jin-Hua” in Mind Set Art Center

By: ART PRESS Editorial
magazine 雜誌, On View 現正展出, , , , Leave a Comment on 倘若眼前是重生，你又將從何找尋重生的能量？《重生:瑪莉娜‧克魯斯、傅饒、石晉華》於安卓藝術 Explored the possibilities of life’s continuation: “Renaissance – Marina CRUZ, Rao FU and SHI Jin-Hua” in Mind Set Art Center

面對「重生」的所有不適與變動，你又將如何知悉生命的厚度、尋得過往生命蹤跡，藉以引領自己望向未來？

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Baboo ,,2020,裝置、網路直 播、互動式演出,複合媒材,尺寸依現場空間。演 出執行:莎妹工作室。臺北市立美術館提供。 Baboo , Corona Villa , 2020, installation, live streaming, interactive performance, mixed media, dimensions variable. Performance execution: Shakespeare’s Wild Sisters Group Courtesy of Taipei Fine Arts Museum.

只要把自己關起來，一切就會好了嗎？策展人蕭淑文、耿一偉呈現《藍天之下：我們時代的精神狀況》”Between Earth and the Sky: The Spiritual State of Our Times” by curator Jo Hsiao, Yi-Wei Keng.

By: ART PRESS Editorial
magazine 雜誌, On View 現正展出, , , , Leave a Comment on 只要把自己關起來，一切就會好了嗎？策展人蕭淑文、耿一偉呈現《藍天之下：我們時代的精神狀況》”Between Earth and the Sky: The Spiritual State of Our Times” by curator Jo Hsiao, Yi-Wei Keng.

如今這個有待評估的生存環境，其實全是人們一手創造出來的局面。

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何采柔，20200610，互動響應式網頁, Courtesy of artist & 《給火星人類學家》

你能不帶成見地看藝術作品嗎？包含必須要有實體這件事：《給火星人類學家》線上與實體開展Could you be able to see art without stereotypes? An online group show: “To Martian Anthropologists.”

By: ART PRESS Editorial
magazine 雜誌, On View 現正展出, , Leave a Comment on 你能不帶成見地看藝術作品嗎？包含必須要有實體這件事：《給火星人類學家》線上與實體開展Could you be able to see art without stereotypes? An online group show: “To Martian Anthropologists.”

在疫情之下掀起風潮的線上展覽的意義與角色是什麼？點擊觀看這個徹底以線上為主的展覽。

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我們何以至此？從那條「不平等起跑線」開始的：崔廣宇個展《惡日常/150米的人生可能》How did we end up here? All begins with “an unfair starting line”: Daily Sucks/150 Meters of LoveHomePeace – Tsui Kuang-Yu Solo Exhibition

By: ART PRESS Editorial
magazine 雜誌, On View 現正展出, , , , Leave a Comment on 我們何以至此？從那條「不平等起跑線」開始的：崔廣宇個展《惡日常/150米的人生可能》How did we end up here? All begins with “an unfair starting line”: Daily Sucks/150 Meters of LoveHomePeace – Tsui Kuang-Yu Solo Exhibition

對於藝術家來說荒謬的現象，或許對大多數人來說早已成為日常。

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藝術還能尖銳批判嗎？「多半只能點到為止」專訪《穿孔城市》策展人黃海鳴的3則實話實說 Can art really criticize society? "Now might be a little." Three truth by Huang Hai-Ming, the curator of Perforated City.

藝術還能尖銳批判嗎？「多半只能點到為止」專訪《穿孔城市》策展人黃海鳴的4則實話實說 Can art really criticize society? “Now might be a little.” Three truth by Huang Hai-Ming, the curator of Perforated City.

By: ART PRESS Editorial
magazine 雜誌, On View 現正展出, PEOPLE 人物, , , Leave a Comment on 藝術還能尖銳批判嗎？「多半只能點到為止」專訪《穿孔城市》策展人黃海鳴的4則實話實說 Can art really criticize society? “Now might be a little.” Three truth by Huang Hai-Ming, the curator of Perforated City.

在現實生活中，藝術人的真實評論與批判檢討，真的能為人所接受嗎？

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Juliane Laitzsch_Detail_of_a_fragment_02_2016 _鉛筆、色鉛筆、紙本_42x59.4cm, Courtesy of 本事藝術 Solid Art

藝術創作者必須是浪漫的？圖騰、刺繡、歷史，嘗試在精準仍保有詩意：本事藝術 《界外採光》Artists should all be romantic? Totem, research, history: “Daylighting” by Solid Art

By: ART PRESS Editorial
magazine 雜誌, On View 現正展出, , , Leave a Comment on 藝術創作者必須是浪漫的？圖騰、刺繡、歷史，嘗試在精準仍保有詩意：本事藝術 《界外採光》Artists should all be romantic? Totem, research, history: “Daylighting” by Solid Art

在《界外採光》裡，編織、圖騰搜尋，都是藝術家透過身體的勞動將時間編輯成空間：「編織是為了消除邊界，建立連結並鼓勵對話。」

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瑞秋·羅斯，《漂浮靈》，2018，單頻高清錄像，彩色，有聲，10分6秒。

謙遜、崇敬智慧，人們便將永不會重蹈覆轍嗎？《繆思、愚公與指南針》於坪山美術館 With wisdom and humble, human will never follow the same old road? “Muses,Yugong and Compasses” in PINGSHAN Art Museum

By: ART PRESS Editorial
magazine 雜誌, On View 現正展出, , Leave a Comment on 謙遜、崇敬智慧，人們便將永不會重蹈覆轍嗎？《繆思、愚公與指南針》於坪山美術館 With wisdom and humble, human will never follow the same old road? “Muses,Yugong and Compasses” in PINGSHAN Art Museum

對於強調謙遜美德、崇敬智慧與智者的東方社會來說，難道永遠都不會落入對自己過度自信的陷阱中嗎？

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王德瑜 WANG TE-YU, museum

跋涉到訪後能得到什麼？「山與海，只能用身體探索」：《No.101》王德瑜個展於台東美術館 “You can only understand the idea of it through your body.”: “NO.101” WANG Te-Yu’s solo exhibition

By: ART PRESS Editorial
magazine 雜誌, On View 現正展出, Leave a Comment on 跋涉到訪後能得到什麼？「山與海，只能用身體探索」：《No.101》王德瑜個展於台東美術館 “You can only understand the idea of it through your body.”: “NO.101” WANG Te-Yu’s solo exhibition

「山是必須被敬畏的，當人類進入山的領域中，人必須相應於山的性情，以身體去感受山的給予。」

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身處數位社會你不感到麻木嗎？若你的重複也能是種生生不息:「↻」陳萬仁&胡安．薩摩拉雙個展 How could you still feel “fresh” in this digital modern life? “↻” Chen Wan-Jen and Juan Zamora Duo Exhibition at Double Square Gallery

By: ART PRESS Editorial
magazine 雜誌, On View 現正展出, , , Leave a Comment on 身處數位社會你不感到麻木嗎？若你的重複也能是種生生不息:「↻」陳萬仁&胡安．薩摩拉雙個展 How could you still feel “fresh” in this digital modern life? “↻” Chen Wan-Jen and Juan Zamora Duo Exhibition at Double Square Gallery

為什麼展覽叫做「↻」？試問每一位觀眾，倘若事物生與滅一再重複，你能分辨得出開始和結束嗎？

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13個地區、5項主題用線索展開探問 © 忠泰美術館

「永不拆除、永遠修護」梳理清水模精神，忠泰美術館呈現《粗獷主義建築展》Why we should never tear down the building: “SOS Brutalism—Save the Concrete Monsters!” by JUT art museum.

By: ART PRESS Editorial
magazine 雜誌, On View 現正展出Leave a Comment on 「永不拆除、永遠修護」梳理清水模精神，忠泰美術館呈現《粗獷主義建築展》Why we should never tear down the building: “SOS Brutalism—Save the Concrete Monsters!” by JUT art museum.

在建築史上常被譏為是醜陋、過時的技術，卻是影響全球甚鉅的前衛建築思潮之一。

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賴志盛 北美館

藝術只有破壞才是再造？踮腳、跨越，新樣貌躍然於眼前：賴志盛《接近》於北美館三樓藝想迴廊 A tip-toeing or stepping over, you can look out or touch something: Closer by Lai Chih-Sheng in Space C of Taipei Fine Arts Museum.

By: ART PRESS Editorial
magazine 雜誌, On View 現正展出, Leave a Comment on 藝術只有破壞才是再造？踮腳、跨越，新樣貌躍然於眼前：賴志盛《接近》於北美館三樓藝想迴廊 A tip-toeing or stepping over, you can look out or touch something: Closer by Lai Chih-Sheng in Space C of Taipei Fine Arts Museum.

這一個獨立的空間，並非單單只是可環走美術館的功能迴廊，對美術館來說是一個重要的年度計畫。

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《Invitation》Installation View of 鄭先喻個展｛同化者｝, Courtesy of 空總臺灣當代文化實驗場（C-LAB）& 洪建全基金會

一天內，你和手機分離最久的一次是？鄭先喻個展｛同化者｝透過感知模擬技術反思日常 When is your last time you put the phone down? ｛Assimilator｝,solo exhibition by Hsien-Yu CHENG.

By: ART PRESS Editorial
magazine 雜誌, On View 現正展出, , Leave a Comment on 一天內，你和手機分離最久的一次是？鄭先喻個展｛同化者｝透過感知模擬技術反思日常 When is your last time you put the phone down? ｛Assimilator｝,solo exhibition by Hsien-Yu CHENG.

在真實世界暫時取消、暫停、消失的事物，都轉而走向網路上去，對於全人們來說，放下手機等電子裝置是否只會更難了？

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[緊急中的沈思]展覽現場 Installation, View Courtesy of UCCA 尤倫斯當代藝術中心

「在危難時刻，我們須再三思索我們愛的人是誰。」尤倫斯當代藝術中心重啟後首個展覽《緊急中的沉思》 “During this time, We should think more about who we love.” The first exhibition of UCCA in 2020: Meditations in an Emergency.

By: ART PRESS Editorial
magazine 雜誌, On View 現正展出Leave a Comment on 「在危難時刻，我們須再三思索我們愛的人是誰。」尤倫斯當代藝術中心重啟後首個展覽《緊急中的沉思》 “During this time, We should think more about who we love.” The first exhibition of UCCA in 2020: Meditations in an Emergency.

位於北京 UCCA尤倫斯當代藝術中心的 6位80後、甚至是90後策展人，嘗試引用了曾參與二次世界大戰詩人弗蘭克·奧哈拉（Frank O’Hara）的應對方式。

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除了古蹟和街道美學，你對文化的想像還有？園林，最難被翻譯的文化製品：Para Site群展「一園六季」Except historic sites, what’s more to you about the imagination of culture? Para Site presents group show “Garden of Six Seasons”

By: ART PRESS Editorial
magazine 雜誌, On View 現正展出Leave a Comment on 除了古蹟和街道美學，你對文化的想像還有？園林，最難被翻譯的文化製品：Para Site群展「一園六季」Except historic sites, what’s more to you about the imagination of culture? Para Site presents group show “Garden of Six Seasons”

談到 #文化，包含傳統技藝、名勝古蹟、街道美學等各類別。然而，你是否曾想過，花園、#園林也是文化產物的一環嗎？

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Portrait of 薩璨如（Cynthia Sah）, Courtesy of artist & Double Square Gallery

「當藝術家，必須對自己想做的事保持真誠。」專訪藝術家薩璨如 “Being an artists, you have to be sincere to what you want to do.” Interview with artist Cynthia Sah.

By: ART PRESS Editorial
magazine 雜誌, On View 現正展出, , , Leave a Comment on 「當藝術家，必須對自己想做的事保持真誠。」專訪藝術家薩璨如 “Being an artists, you have to be sincere to what you want to do.” Interview with artist Cynthia Sah.

「每天你醒來，天空一如往昔地美的時候，你可以嘗試為此感謝。因為這些雖為日常，但並不是理所當然的。」藝術家薩璨如說。

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傅饒 Rao FU, 《雲火》 Cloud Fire 2019-2020 油彩、畫布 Oil on canvas 140 × 195 cm, Courtesy of 安卓藝術 Mind Set Art Center

「畫廊，與藝術家彼此互相瞭解與信任」安卓藝術十週年！推出特展｢生生長流｣ II “It shareds the mutual understanding and trust with artists.” The Special Project for MSAC 10th Anniversary II – And Life Goes On

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magazine 雜誌, On View 現正展出Leave a Comment on 「畫廊，與藝術家彼此互相瞭解與信任」安卓藝術十週年！推出特展｢生生長流｣ II “It shareds the mutual understanding and trust with artists.” The Special Project for MSAC 10th Anniversary II – And Life Goes On

「與藝術家溝通創作的經歷和過程，適當地扶助藝術家的創作過程，並一同享用收藏的果實。不把藝術家的生產和創造力佔為己有。」藝術家于吉（YU Ji）說。

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姚瑞中：犬儒共和國 Yao Jui Chung – Republic of Cynic (R.O.C.), 藝術家提供 Courtesy of Yao Jui Chung

「無論是否了解歷史及評論之前，至少先感受」: 4 個來自姚瑞中《犬儒共和國》打造的時代縫隙 “Even you don’t understand the history, at least try to feel.” Yao Jui Chung – Republic of Cynic (R.O.C.) in Taiwan Contemporary Culture Lab.

By: ART PRESS Editorial
magazine 雜誌, On View 現正展出, Leave a Comment on 「無論是否了解歷史及評論之前，至少先感受」: 4 個來自姚瑞中《犬儒共和國》打造的時代縫隙 “Even you don’t understand the history, at least try to feel.” Yao Jui Chung – Republic of Cynic (R.O.C.) in Taiwan Contemporary Culture Lab.

人們高度使用網路的同時也積極地參與政治討論的氛圍。然而，人們又是從哪些途徑了解、感受歷史的？

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朱駿騰 Chu ChunTeng八月十五 August 15th, Courtesy of 台北當代藝術館 MOCA Taipei

你有多瞭解台北？4 個來自策展人的反思：台北當代藝術館年度大展「穿孔城市」 How much you know about Taipei? 4 idea by curator about Taipei: Perforated City in MOCA Taipei.

By: ART PRESS Editorial
magazine 雜誌, On View 現正展出, Leave a Comment on 你有多瞭解台北？4 個來自策展人的反思：台北當代藝術館年度大展「穿孔城市」 How much you know about Taipei? 4 idea by curator about Taipei: Perforated City in MOCA Taipei.

每個城市皆有其美，但人們是否曾經以更真實、更赤裸地的方式了解它？

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"When the “self” is reduced to an aggregation of data that generates suggestions on online platforms": the Up&Coming Sector of Gallery Week Beijing.

串流平台比朋友更了解你？當人們被簡化成網路平台上『猜你喜歡』數據時：畫廊週北京新勢力單元 “When the “self” is reduced to an aggregation of data that generates suggestions on online platforms”: the Up&Coming Sector of Gallery Week Beijing.

By: ART PRESS Editorial
magazine 雜誌, On View 現正展出, Leave a Comment on 串流平台比朋友更了解你？當人們被簡化成網路平台上『猜你喜歡』數據時：畫廊週北京新勢力單元 “When the “self” is reduced to an aggregation of data that generates suggestions on online platforms”: the Up&Coming Sector of Gallery Week Beijing.

如此把我們自己提供給大數據，人與他人的關係被社交網絡化，與商家或其他組織的關係大多由評分制度壟斷。

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藝術這一行的處變不驚(II):「無論線上或實體，藝術的核心是一樣的」MAI 36 畫廊｢凱若思｣ 項目展 How galleries react to the COVID-19 pandemic (II): “No matter online or not, the core is the same.” KAIROS – Showroom Taipei

By: ART PRESS Editorial
magazine 雜誌, On View 現正展出Leave a Comment on 藝術這一行的處變不驚(II):「無論線上或實體，藝術的核心是一樣的」MAI 36 畫廊｢凱若思｣ 項目展 How galleries react to the COVID-19 pandemic (II): “No matter online or not, the core is the same.” KAIROS – Showroom Taipei

「見面對藝術界來說，始終是重要的」王維薇說。

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Pierre Huyghe, Circadian Dilemna (Dia del Ojo), 2017 Courtesy of 文心藝術基金會Winsing Arts Foundation

「如果沒有細菌，人類無法生存」Pierre Huyghe 提醒人們：毀滅與重生共存 “There is no human life without bacteria.” Pierre Huyghe tried to remind people that destruction along with rebirth.

By: ART PRESS Editorial
magazine 雜誌, On View 現正展出, , Leave a Comment on 「如果沒有細菌，人類無法生存」Pierre Huyghe 提醒人們：毀滅與重生共存 “There is no human life without bacteria.” Pierre Huyghe tried to remind people that destruction along with rebirth.

法國有這麼一位觀念藝術家，嘗試在『沒有人類』的世界裡，創造出必須在人們凝視下，才能獲得『生』的作品。

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除了藝術品影像輔以文字之外，線上展廳還有？5月線上藝術展總整理輯 Beside image and text of artworks, what’s the main idea building of Online Viewing Room.

By: ART PRESS Editorial
magazine 雜誌, On View 現正展出Leave a Comment on 除了藝術品影像輔以文字之外，線上展廳還有？5月線上藝術展總整理輯 Beside image and text of artworks, what’s the main idea building of Online Viewing Room.

全球藝術界因新冠疫情而掀起，線上展廳所希望達成的究竟是展示還是體驗？

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